I’ve honestly never seen anything like this.

I asked Dominic Fontana of Taped Metal Canvas who inspires him and amidst laughter it became apparent it isn’t a matter of “who” but rather “what.” Born and raised in San Francisco, the way he would tell it, his journey growing up in the city culminated itself into the visual art pieces we see today.


What I mean is Dom spent his teenage years in the graf scene. Having access to a limited assortment of colors, the era he came up in prepped his eyes to find rarity. He loves finding new colors. He loves finding new materials. At the age of 18 he took up a job working with sheet metal and coming out of the graf scene he already developed an affinity for adhesives. Somewhere in there an idea sparked.

Taped Metal Canvas really just says exactly what it is. Because looking at any given piece, I’m sure that’s the most common question. Looking at the canvas series, the sculptures, or any other form he molds this idea into, it’s tough at first to tell.

There’s a sign he hangs at every show. At times people glance at it and ask why photos aren’t allowed. But the sign is actually an instruction encouraging them. A key factor in these pieces is the flash from a camera. In one state each piece is intricate and vibrant just on its own, but the flash brings it alive.

For this particular exhibit, Dom wanted to challenge himself. He came across a little over a dozen old school wooden TV frames; the kind with the dials, knobs, and rabbit ears at the top. With that in mind he made a decision to abandon color entirely and go strictly black and white. It’s cool when you take note of the fact that screens became a very dominant factor in all of our lives right down to our cell phones. Flash activates these pieces. And it’s kind if cool that those old screens, pretty much where this whole thing started, flash right back at us.

What up, Dom!


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